Lets Hear It Again for Go Cat Go Album Cover
Get Cat Go – Let's Hear It Once Again for…
Vinylux V0002 [1999]
Good Rockin' Tonite – Picayune Baby Doll – Please Mama Please – Mystery Railroad train – Flyin' Saucers Stone n Ringlet – 'Til the Cool Cats Cry – Just Because – Tin can't Tie Me Down – Blue Days Black Nights – I've Got My Eyes on You – Time to Rock – Forever's Much Too Long – Other Side of Town – Who Was That Cat – Milkcow Blues Boogie – Reconsider Infant – Lonesome Road – Large Train – Ten Means to Stone – Drugstore Stone n Whorl – Hot Rod Man – Stockins and Shoes – Blue Moon of Kentucky – Pink and Blackness – Tell Me Why
This CD compilation was released shortly after the single. I place Go Cat Go very high in my own Rockabilly pantheon, so you won't be surprised if I tell you lot that this CD is an absolute must-have.
One will find two early on recordings from March 1990, Forever's Much Also Long and Time To Stone. Forever is, for me, i of Spears' best moment. The array of subtleties that you can hear in his voices is but amazing (I accept to confess that I'm ever moved and most bursted into tears when I hear the line 'Why can't I be the 1 you love Instead of merely your in-between'. Considering that Freeman had only joined the band iii months before the recording, it but adds to the matter'south beauty.
This compilation also contains the ten″ recorded for Willie Lewis in April 1991, the single and three more than tracks from the Lord's day session (Flyin' Saucers Rock'n'Roll, Til The Cool Cats Cry, Blue Days Black Nights), and twelve live tracks. These songs – mostly Rockabilly classics – demonstrate that Go Cat Become was a fantastic alive ring. They also confirm that Darren Lee Spears' songwriting could stand proudly next to classics like Blueish Moon of Kentucky, Mystery Train or Drugstore Rock'northward'Roll, to name merely three.
The booklet contains a complete history of the band written by Wendy LeBeau.
Go True cat Go – Delight Mama Delight
Vinylux V0001 [1999]
Please Mama Please / Who Was That Cat
During i of their tour, the band stopped by Sun Records in Memphis and recorded six tracks. These ii songs come from that session and were released afterwards the tragic death of Darren Lee Spears in 1993.
Both Please, Mama Please and Who Was That Cat are two instant classics. They comprise everything that made Get True cat Get one of the very best Rockabilly bands of the nineties. Only Big Sandy and the Fly-Rite Trio and High Noon reached that level. Darren Lee Spears had a fantastic voice. Information technology reminded me of Elvis, not for the tone, but for the extreme facility he had to sing and his wide vocal range. Spears likewise knew to dose his effects. The hiccups he placed were rare plenty to have an affect. He also was a double threat for non only he was a fantastic singer, but he besides was a highly talented songwriter. The song he wrote ever sounded as if they came direct from the Fifties but remained originals at the aforementioned time. Such a talent could accept been waste matter with an average band. Thanks to the Rockabilly gods, it was not the case. Hull was a gifted guitar player that mixed Scotty Moore and Cliff Gallup, and the team formed past Freeman and Lebeau was the perfect Rockabilly rhythm section.
Go Cat Go – S/T
Rock-a-Billy Records R-301-LP [1992] / Vinylux V0004 [1999]
Footling Baby Doll – I've Got My Eyes on Y'all – Tin't Tie Me Downwards / Big Train – Other Side of Boondocks – Lonesome Route
Go True cat Go formed in 1989 with Darren Lee Spears on vocals, Bill Hull on guitar, Lance Lebeau on drums and Paul Turley on electric bass, presently replaced by Brian Freeman on slap bass. In March and April 1991, they recorded these six songs, and Willie Lewis released this ten-inch on his Stone-A-Billy label in February 1992 (R-301-LP). The original release (650 copies) had no jacket, and the following year, the band financed the printing of some jackets (designed by Ronnie Joyner) for the remaining 350 copies. It quickly became a collector item, and Vinylux reissued it seven years after its initial release.
Piddling Infant Doll is the epitome of Rockabilly. Freeman'due south propulsive slap bass and LeBeau'south perfect drumming allow Hull to weave a fragile and subtle pattern behind the vocalizer's vox who equals the all-time of Elvis and Cistron Vincent. All that in two minutes! Likewise, the Other Side Of Town tin can only exist described as rockabilly perfection.
I've Got My Eyes On You is a threatening tune with a slight Jack Scott feel. Can't Necktie Me Down is a carol that allows Spears' voice to develop all his range and shows echoes of Jerry Lee Lewis in his best vocals moments. Big Train features a harmonica and tin can be described as Rockabilly Blues. The last vocal, Lonesome Road, is from the pen of the young Brian Freeman, and one tin only regret that he didn't write more songs.
Run across also the Flea Bops and our interview Lance and Wendy LeBeau
Check out Vinylux records website.
chandlercoarestligh.blogspot.com
Source: http://www.the-rockabilly-chronicle.com/go-cat-go/
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